Skip to main content

making faces :: inspired by... hangovers?

facebook ads and suggestions are a curious beast [and one that i've discussed before], because i've found that they're either dead-on accurate or hilariously inappropriate. there's no middle ground. one of the "very appropriate" types of posts they suggest are makeup tutorials, which are helpful to me because, without some kind of visibility on other things that are happening, i tend to fall into a rut. ["you know what would be incredible today? neutral eyes and deep berry-coloured lips! it will be totally different than the last twenty days, because the eyes will be a smidgen more gold and the lips will lean a little less red. awesome!"] of course, my usual practice is to give them a glance, think that a look might be interesting to try and then forget them. but there was one recently that stood out to the point where i quickly saved the link, knowing that i had to try it out.

japan and korea are basically where every new makeup trend comes from, because they're one of the only place that experiments with things like colour placement in a way that's actually wearable. everywhere else just looks at what comes down the runways during fashion weeks and gushes that women in america and europe will absolutely be wearing the lash-to-brow, electric blue eyeshadow they saw in the armani show, or the daring cosmetic bruises and eyebrow bolts that were featured by gareth pugh. [yes, i made those up. no, i wouldn't be surprised if they actually happened.] i have yet to adapt any runway trend for everyday use, because the purpose of runway makeup is to form a uniform base for the presentation of the clothing. it can be nude or striking, but the point of it is that it's supposed to be an accessory, just like a bracelet, sets off the thing you're supposed to be paying attention to.

but i had to say that i scratched my head when i saw this video from mac pop up in my feed, promising to show me how to achieve the latest hot trend in japan. ladies and gentlemen, say hello to the hangover cheek:



the what now?

i don't think i have ever aspired to look hungover, in fact, i'm pretty sure i have used vast amounts of concealer and brightening agents to disguise the fact that i was hungover. it's just a bad look on everyone, right?

apparently not, because the new thing, as you can see, is to imitate that overindulged flush that comes from thinking you'll just stay for one more pint and, ok, one more round of shots, before going home, because you know that you promised your family you'd be ready bright and early for brunch tomorrow and under no circumstances would be wandering home while watching the sun break through the morning clouds. [the model in that video has never been hungover a day in her life, i'll wager, because no one with glowing skin like that would dare risk interfering with its beauty. those of us who aren't thus gifted can feel free to damage ourselves, which is the trade off you get for imperfect skin, i guess.]



the essence of the look is applying a soft colour fairly liberally to the cheeks, blending it well and keeping it high on the cheekbones, followed by adding a slightly brighter colour right over that blush towards the centre, again staying very high, almost closing in on the undereye area. like i said, looks from japan and korea are much more about placement and subtle emphasis.

for my take, since i had the base colour used in the video [mac "dainty"] and love it, it was an easy choice to go with that. however, i don't have the emphasis colour that the artist uses, nor do i have anything like that in a cream. i chose to use another mac product, "alpha girl" beauty powder, which is more coral and less pink than what's used in the video, but still blends well and isn't so bright that it calls attention to itself.

the look is not dissimilar to charlotte tilbury's "swish and pop" technique, which she favours so much that her blush line is designed to do it, but the focus on keeping the colour up high on the face is something that seems particular to looking attractively hungover.

of course, when i wear the hangover look [inadvertently], there's often a stubborn element of "makeup from the night before" that features, so rather than stick with the mostly naked eye seen in the tutorial, i went whole hog and did a messy smoky eye that's more artful than what i can never manage to entirely scrub off my face.



to accomplish this, i used charlotte tilbury's cream shadow in "veruschka", something i've been meaning to pull out since watching blow up a few weeks ago. [and, yes, the shadow does a good job of mimicking the smudgy halo around her eyes both in the movie and in her iconic magazine cover photo shoots.] i decided to keep the whole thing a bit dark and muted, so i skipped the highlight shade i'd normally apply along my brows, opting instead for rouge bunny rouge "papyrus canary", a parchment shade that's a bit deeper and yellower than my skin tone. i used mac "arena" to soften the transition between "veruschka" and "papyrus canary", and tarina tarantino's dream hyperliner in "sparkling ammunition" around the upper and lower water lines [heavier on the lower] for some definition.

i took up the video's suggestion that this look was best completed with a shimmery colour applied from the inner corner along the lower lash line, because shimmery colour that worked its way down from my lids is a frequent component of that "i went out last night" look for me. i used rouge bunny rouge "alabaster starling" on the inner corner and the inner portion of the lower lid, then the first shade from rbr's "chronos" eyeshadow palette on the outer part of the lid. to add just a bit of light to the upper lid, i pressed a tiny bit of the "chronos" colour over "veruschka", around the centre, leaning slightly towards the inside.




to round things off, i wore mac "plink!", a soft seashell pink shade that's a little paler than my lip colour. because when i've had one [at least] too many the night before, my morning lips do tend to look a little drained.

ok, here are a couple of "normal" photos, so you can see how the look reads overall.



i'm kind of impressed, because the cheek really does give a rather sweet character to my face, and draws just a little focus to the plumpest part of my cheeks. [at my age, plump cheeks are a luxury that one wants to advertise.]

so the next time i'm questioning my activities from the previous night [both why i did them and what they were], i think i'll opt to hide in plain sight: i'm not hungover, i've made myself up to look hungover, because that's the look du jour. now, hand me the french fries and no one gets hurt. 

Comments

as long as you're here, why not read more?

i'm definitely someone altogether different

about a hundred years ago, i remember having a partner who told me that, rather than writing the sort of ambiance-oriented crap [he didn't say crap, i'm saying it] that i was naturally driven to write, i should just compose something like the harry potter books. this wasn't out of any sense of challenging me to do new things but because of the desperate hope that my love of writing could be parlayed into something profitable.

my reaction at the time was "i just can't". and that was honestly how i felt because i didn't believe that that kind of story was in me. for the record, i still don't think that anything like the potter-hogwarts universe is in me. i'm not a fan of fantasy literature generally speaking and i feel like there's a richer experience to be examined in looking at our experience as regular humans being part of the rational, limited, everyday world and at the same time being able to feel connected to something that, for lack of a…

making faces :: a lip for all seasons [winter edition]

it seems oddly canadian to have two posts in a row about winter/ cold/ snow, but they're obviously unrelated. after all, for most people winter is a season, but in colour analysis terms, winter is part of what you are, an effect of the different wavelengths that comprise the physical part of the thing known as "you". this might be getting a little heady for a post about lipstick. moving on...

if you've perused the other entries in this series without finding something that really spoke to you [figuratively- lipsticks shouldn't actually speak to you- get help], you may belong in one of the winter seasons. winter, like summer, is cool in tone; like spring, it is saturated; like autumn, it is dark. that combination of elements creates a colour palette [or three] that reads as very "strong" to most. and on people who aren't part of the winter group, such a palette would look severe. the point of finding a palette that reads "correctly" on you…

making faces :: best [bright winter] face forward

a few years ago, i wrote quite a bit about sci/art colour analysis. i haven't followed up on it more recently because there's only so much a girl can say about three-dimensional colour and what the "hallmarks" of each loose category are without getting super repetitive. i am planning on updating a few of the posts that i made, particularly the "lip for all seasons" posts [springsummer, autumn, winter], as those are out of date and not so useful. the posts on colour analysis continue to be very popular despite being years old, so i figure it's worth following up.

during my journey of colour self-discovery, i determined that i was probably a bright winter, which means i look best in colours that are highly saturated first of all [and sharply contrasting second of all], and which lean cooler and darker. not for me the soft smoky eyes and muted lips, nor the bubbly, light-as-air pastels. as i proved to myself wearing different looks, trying to embrace th…