Skip to main content

mental health mondays :: i'm sick and my cats will never be schizophrenic

i've somehow managed to come down with a horrific cold/ flu/ cough/ end times plague, which means that my brain isn't functioning well enough to think about brain function. i thought of running a repeat mhm today, but then i found this fabulous article: 

http://www.scientificamerican.com/article/why-don-t-animals-get-schizophrenia-and-how-come-we-do/

[in case you were wondering how sick i am, i'm too sick to sit in front of the computer where i could have put that in a nice embedded link like a human being in this century.] 

basically, i got to wondering about animals and mental illness. it's been established that many animals feel undue anxiety. animals in captivity exhibit all sorts of anxiety spectrum disorders. and they can become depressed as well. they can develop addictions [we study them to learn about our own addictions]. but i didn't ever recall seeing a study  about animals and schizophrenia. 

so i did what any first-worlder would do and googled "do animals get schizophrenia?"

it turns out that, no, they don't. and the fact that they don't might tell us something about how schizophrenia works. we know that it's a heritable condition, which means that its secrets are buried in our genes. in fact, it seems linked to all the other genes that make us the very special kind of animals we are. the things that make us human- speech, for instance- seem closely linked to the things that make us schizophrenic. 

so if you've ever wished that your furry [or scaly] companion could speak to you, you've really been wishing that they could develop paranoid schizophrenia, you monster. 


p.s. :: he sat on me for hours like that, despite the fact that my coughing must have felt like an earthquake. that's the sweetest kind of crazy ever. 

Comments

as long as you're here, why not read more?

i'm definitely someone altogether different

about a hundred years ago, i remember having a partner who told me that, rather than writing the sort of ambiance-oriented crap [he didn't say crap, i'm saying it] that i was naturally driven to write, i should just compose something like the harry potter books. this wasn't out of any sense of challenging me to do new things but because of the desperate hope that my love of writing could be parlayed into something profitable.

my reaction at the time was "i just can't". and that was honestly how i felt because i didn't believe that that kind of story was in me. for the record, i still don't think that anything like the potter-hogwarts universe is in me. i'm not a fan of fantasy literature generally speaking and i feel like there's a richer experience to be examined in looking at our experience as regular humans being part of the rational, limited, everyday world and at the same time being able to feel connected to something that, for lack of a…

making faces :: a lip for all seasons [winter edition]

it seems oddly canadian to have two posts in a row about winter/ cold/ snow, but they're obviously unrelated. after all, for most people winter is a season, but in colour analysis terms, winter is part of what you are, an effect of the different wavelengths that comprise the physical part of the thing known as "you". this might be getting a little heady for a post about lipstick. moving on...

if you've perused the other entries in this series without finding something that really spoke to you [figuratively- lipsticks shouldn't actually speak to you- get help], you may belong in one of the winter seasons. winter, like summer, is cool in tone; like spring, it is saturated; like autumn, it is dark. that combination of elements creates a colour palette [or three] that reads as very "strong" to most. and on people who aren't part of the winter group, such a palette would look severe. the point of finding a palette that reads "correctly" on you…

making faces :: best [bright winter] face forward

a few years ago, i wrote quite a bit about sci/art colour analysis. i haven't followed up on it more recently because there's only so much a girl can say about three-dimensional colour and what the "hallmarks" of each loose category are without getting super repetitive. i am planning on updating a few of the posts that i made, particularly the "lip for all seasons" posts [springsummer, autumn, winter], as those are out of date and not so useful. the posts on colour analysis continue to be very popular despite being years old, so i figure it's worth following up.

during my journey of colour self-discovery, i determined that i was probably a bright winter, which means i look best in colours that are highly saturated first of all [and sharply contrasting second of all], and which lean cooler and darker. not for me the soft smoky eyes and muted lips, nor the bubbly, light-as-air pastels. as i proved to myself wearing different looks, trying to embrace th…