Skip to main content

it's the app's fault!

eek! i've been utterly derelict in my duties this week, for certain. i missed world wide wednesdays entirely and i'm on the late side of late in getting our paranoid theory of the week up. [it's coming, i promise.]

part of that is because i've been marginally more social this week and because i've had writing work to do that isn't part of the blog, but a lot of it has been because of my phone. in particular, it's because i've discovered an app called " novel idea" that i've been exploring.

using an app for writing purposes runs counter to every one of my instincts. [really, spellcheck? "app" is a word now? but spellcheck still isn't? pull yourself together.] i've only recently been able to get myself to start writing a project on my computer: up until the last few years, the first couple of paragraphs generally ended up being copied from handwritten manuscripts. and i have never adopted the habit of planning out a story or making notes on a computer. any time i've tried, i've ended up writing what looks like an essay, with full sentences and paragraphs rather than precise notes, so i end up losing time trying to find out what the hell is supposed to be happening as i scan my book report.

and yet somehow, i've skipped straight from longhand to typing away on my phone without stopping in the middle.

part of the reason is that working on a phone naturally lends itself to note-taking. i'm an extremely fast typist [so i've been told], which means that it's often slower for me to work with formatted notes than just to type paragraphs on a standard keyboard. working on a phone is slow and clunky, which means that i'm never inclined to start writing long descriptions. plus, of course, there's the beauty of apps to help you along.

because i, like a lot of writers, default to word or a text program for writing, organising notes about different aspects of a project is more than a little cumbersome. apps are made with organisation and ease of use in mind. "a novel idea" is set up so that the user can create characters, projects, scenes and "ideas" [because apparently none of those other things count as ideas] and to link them. so you can have characters who appear in different stories, or characters who are somehow related who appear in the same or different stories. scenes get linked to stories, or they can just sit on their own, if you haven't decided where to put them yet. it's nice and it does actually speed things up. plus, it allows me to store random scraps, which often get lost on stray pages, scraps of paper, or in the midst of a notebook filled with too much for me to take in.

there are a few frustrating things, like the fact that i can't manipulate the fields. with the type of writing i do, i have no use for a "species" classification for my characters, but i could definitely use one for "sexual orientation", which doesn't exist. on the other hand, the templates, in particular the character ones, encourage you to think of details that you might not otherwise. [note: if you prefer a more free-form method of developing characters, this might not be your cuppa.]

of course, the other benefit to this is that i can work on the ideas anywhere, which lets me be even lazier than i normally am, because i can do work without even sitting upright. i might have to think a little harder about how much of a benefit that really is.

in light of this success, i've downloaded a few other apps to try, so i can have a sort of race between them to see which one helps me the most. i figure that, aside from allowing me to keep everything well-organised, it will also encourage me to think of different projects that i can try, since there is no way i'm spending my valuable time copying the same [and, in the case of the one i've started, tremendously complex] project into multiple formats. the danger there is that i'm just going to get distracted by playing and planning and endlessly comparing, and the danger of distraction is always a great one for me because... ooh, shiny!

but i do apologise for the fact that i've been ignoring my bloglagations [see? i made a word for you!] this week. things will be getting back on track presently. 

Comments

as long as you're here, why not read more?

i'm definitely someone altogether different

about a hundred years ago, i remember having a partner who told me that, rather than writing the sort of ambiance-oriented crap [he didn't say crap, i'm saying it] that i was naturally driven to write, i should just compose something like the harry potter books. this wasn't out of any sense of challenging me to do new things but because of the desperate hope that my love of writing could be parlayed into something profitable.

my reaction at the time was "i just can't". and that was honestly how i felt because i didn't believe that that kind of story was in me. for the record, i still don't think that anything like the potter-hogwarts universe is in me. i'm not a fan of fantasy literature generally speaking and i feel like there's a richer experience to be examined in looking at our experience as regular humans being part of the rational, limited, everyday world and at the same time being able to feel connected to something that, for lack of a…

making faces :: a lip for all seasons [winter edition]

it seems oddly canadian to have two posts in a row about winter/ cold/ snow, but they're obviously unrelated. after all, for most people winter is a season, but in colour analysis terms, winter is part of what you are, an effect of the different wavelengths that comprise the physical part of the thing known as "you". this might be getting a little heady for a post about lipstick. moving on...

if you've perused the other entries in this series without finding something that really spoke to you [figuratively- lipsticks shouldn't actually speak to you- get help], you may belong in one of the winter seasons. winter, like summer, is cool in tone; like spring, it is saturated; like autumn, it is dark. that combination of elements creates a colour palette [or three] that reads as very "strong" to most. and on people who aren't part of the winter group, such a palette would look severe. the point of finding a palette that reads "correctly" on you…

making faces :: best [bright winter] face forward

a few years ago, i wrote quite a bit about sci/art colour analysis. i haven't followed up on it more recently because there's only so much a girl can say about three-dimensional colour and what the "hallmarks" of each loose category are without getting super repetitive. i am planning on updating a few of the posts that i made, particularly the "lip for all seasons" posts [springsummer, autumn, winter], as those are out of date and not so useful. the posts on colour analysis continue to be very popular despite being years old, so i figure it's worth following up.

during my journey of colour self-discovery, i determined that i was probably a bright winter, which means i look best in colours that are highly saturated first of all [and sharply contrasting second of all], and which lean cooler and darker. not for me the soft smoky eyes and muted lips, nor the bubbly, light-as-air pastels. as i proved to myself wearing different looks, trying to embrace th…