Skip to main content

making faces :: burberry bits

during my brief sojourn in the west last month, i did have the time to stop by the holt renfrew there and
see one of the only two burberry makeup counters in canada. i'm not in the least bit happy that this collection has been limited to the toronto and vancouver flagship stores, especially since we have a beautiful flagship store here in montreal. and now that i've actually gotten to try burberry products, i'm even less happy about the limited availability.

burberry are still newcomers to the cosmetic world, having launched their collection just a few short years ago. they've already become darlings of the makeup mafia, with virtually all of their products garnering rave reviews from ladies who know their stuff. as you might expect from a design house, the products are pricy and even by the standards of prestige brands, their prices are high, but it's worth noting that you tend to get a fair amount of product. which is especially nice when you're limited as to how often you can get to a counter to try things out on your skin.

the colour selection across the line is restrained, quietly conservative, understated and classy. in fact, burberry have done a bang-up job of creating a collection that reflects the same design principles they espouse in their fashions. you won't find any neon brights or glitters, but what you will find, in spades, are sumptuous shades you can wear every day, but that don't look "everyday".

usually when i'm trying a new brand, i like to grab a couple of different products and with burberry i certainly could have, but i was so tempted by their single eye shadows that i ended up grabbing two of those. [i would have bought more, except that there was also a chantecaille counter, which i'll get to in a later post.]

PLEASE PROCEED...



first up, we have what is apparently the best-selling shade in the burberry colour line, "pale barley". it was not part of the original line up, but came out with last year's spring collection and has been a cult favourite ever since. there was a bit of a panic when it disappeared from the burberry site and from counters a little while back, but evidently this is a temporary situation. "pale barley" is here to stay.

and how fortunate! like most great cult products, what distinguishes "pale barley" are its subtleties. it's a neutral brown base [it's not grey enough for me to call it taupe] that's soft, but has some dimension to it, with a gold sheen that warms the shade up and makes it a bit brighter on the eye. it's not an intense colour, but there's enough going on that it can work fine on its own. mixed with other shades, it's fairly quiet, just adding a slightly toasty element to the colour party.

pale barley
it is warm-toned, but the base keeps it neutral enough that all but the coolest complexions should be able to make it work for them without too much effort. it reminds me a little of rouge bunny rouge "bohemian waxwing", not so much because the colours are terribly similar, but because both are like a one-man band: capable of doing everything themselves. and both are excellent alternatives for those who want to apply a single shade and go [whoever you are]. it is somewhat similar to mac "patina" in that both have a neutral base with gold sheen [which i didn't do a great job of capturing in photos], but "patina" is cooler and lighter.

l to r :: rbr bohemian waxwing, pale barley, mac patina, simon-related injury

here's a quick look at the product in action. even on my puffy, tired lids [i was still sick in these pictures], i find it just glows...

pale barley on lids
same as above
second up, we have "antique rose", certainly one of the most perfectly named shadows in my collection. the colour really does remind me of slightly faded flowers on an antique rug or wallpaper. it's a dusty mauve-pink with a satin finish- just short of completely matte. although it leans cool, being a purple-based shade, it has quite a bit of red in it, which means that it's not so cool that warmer complexions couldn't pull it off.

antique rose
although this one doesn't get the accolades of other burberry shades, i fell instantly in love. i love the fact that it's richly pigmented, which so many dusty shades aren't. i love the fact that while it blends nicely, it doesn't disappear, which a lot of soft shades do. i love the fact that i didn't even have a shade to bother comparing it to, because everything else i have is cooler and more faded and even greyer.

"antique rose" adds a rich dimension to other shades, be they warmer or cooler. i've particularly grown to love it in combination with laura mercier's cult favourite "african violet" [a softer, lighter purple with lots of gold shimmer], but it's also nice used in the crease with "pale barley" on the lids- shades of purple and gold are wonderful together, since they echo the complementary pair of purple and yellow on the colour wheel. this is actually pretty close to a workhorse neutral when it comes to pairing it with other shades.

here's a look at how nicely it works with gold shades [full look breakdown here]

antique rose in crease

same as above

of course, my problem now is that i need to get MOAR BURBERRY, since i know that they do live up to their hype, at least in eye shadows. you can apparently order from their web site in canada, although nothing beats being able to swatch something on your skin in person. although the brand is available through major u.s. retailers, they won't ship burberry beauty products to canada. i can hope, in the meantime that holt renfrew decides to expand the stores allowed to carry the line, or that they make a deal with another retailer because it's going to get expensive flying to toronto and vancouver for my cosmetic fix. 

Comments

LilJeJa said…
I do not own not even one Burberry piece ... Yet! I am scared I will like it and then wishlist become never ending. I like that they created conservative and simple natural colors. I am mostly drawn to their blushes.
Kate MacDonald said…
Part of me (the part that watches my bank account) wishes I hadn't discovered them. They truly live up to their hype and the textures of everything I tried are divine.

as long as you're here, why not read more?

long suffering

i've been meaning to write this post for a while, but, every time i get started, something happens that makes me rethink portions of it, to add or subtract or consider a different way of looking at things. the post was originally going to be my take on a #metoo statement, but i ended up making that post on my personal facebook page. [it's not that i don't love you all, but there are a few things i'm not comfortable putting in the entirely public sphere.] but beyond joining the #metoo juggernaut, i wanted to write something about the wave of sexual assault revelations that continues to swell over the north american media landscape that wasn't about me. then i realised that that was a little more complicated than just writing "so, lotta sex rapes happenin' these days, ain't there?" or whatever it was that i was going to say.

so i tried writing something about just a part of it: the media coverage or the entertainment industry or the politicians or …

jihadvertising?

i keep seeing this ad for tictac candies:



am i the only one who finds the suicide bomber clown at the end a little unnerving? all the nice natural things like the bunny and the [extinct] woolly mammoth and the fruit get devoured by a trying-to-appear-nonthreatening-but-obviously-psychotic clown who then blows himself up. congratulations, tictac, i think this ad has landed you on about a dozen watch lists.

oh and by the way, showing me that your product will somehow cause my stomach to explode in a rainbow of wtf makes me believe that doing consuming tictacs would be a worse dietary decision than the time i ate two raw eggs and a half a bottle of hot sauce on a dare.

making faces :: a lip for all seasons [summer edition]

this may seem like an odd time to think about summer, but not to think about coolness. it can be hard to wrap your head around the idea that summer is considered "cool" in colour analysis terms and, in my opinion, reads as the coolest of the cool, because everything in it is touched with the same chilly grey. winter may have the coldest colours, but its palette is so vivid that it distracts the eye. everything in summer is fresh and misty, like the morning sky before the sun breaks through. in my original post on the season, i compared it to monet's paintings of waterlilies at his garden in giverny and, if i do say so, i think that's an apt characterisation.

finding lip colours touched with summer grey and blue is, as you might expect, kind of tricky. the cosmetic world seems obsessed with bringing warmth, which doesn't recognise that some complexions don't support it well. [also, different complexions support different kinds of warmth, but that's another…