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friday favourites 25.05.12

image of the week
holy carp. ladies and gentlemen, i would just like to say that making the transition from your schedule being whatever you feel like making it back to the workaday world is really, really tough. especially if you happen to spend the four days before you go back to work making sure that you don't ever go to sleep before the sun is up. i think that everyone should do that. after all, if their first impression of you is that you're a zombie and a bit of a drooling mouth breather, you can't help but look awesome later on, right?

actually, i have to say, so far so good. although i feel like my job is judging me and my unhealthy habits, because my new company is very healthy. and i don't mean that my coworkers are judging me, because they seem like a pretty non-judgmental lot. i mean the actual job has a sort of disapproving eye pointed at me. i'm being judged by something that isn't even a concrete thing. talk to me when you have physical form, asshole!

here are a few things that made the flurry of the last week a little more memorable.

good news :: stuff i can't make up from around the internet


in the midst of all the controversy and protests going on in montreal and throughout quebec, am i the only person who noticed that our provincial government website is call "assnat"? oh, and if you were trying to verify that last saturday, you couldn't.

just because your skinny jeans are trying to kill you doesn't mean i want to see your ass hanging out of the baggy ones.

if the expression "talent borrows, genius steals" is true, then jay leno and nbc are true geniuses. also complete dickheads.

this should really be about a half hour long, at least.



goings on :: stuff you can [and should] participate in


if you're in montreal... come wish a happy birthday to the ska boss! fred from rude mechanikals is celebrating his big day in style at bar l'absynthe tomorrow, saturday may 26th. would it surprise you to know that there will be live sets by slater et fils [formerly slater's sons] and les happycuriens [best. name. ever.]? i didn't think it would.

and of course, montreal's ever-expanding festival of music and technology, mutek, gets under way this week. it's a massive series of events and chances are that there will be at least a couple of things worth checking out. you can plan your time there through their web site, or with their phone app, which is really the most useful way to do anything these days.

if you're in toronto... come for a walk! urban exploration walk 5.0 will be examining some of toronto's urban art treasures cleverly hidden in the middle of downtown, where millions of people walk by them without noticing every day. this is an awesome initiative to get people to know their city. details here.

musical notes


well, after last weekend, i have to say that i've been inclined mostly to listen to music that features no keyboards at all. but that's actually kind of difficult in my collection. i have been loving the album "the horror" by pop 1280 this week...



follow-up and shameless self-promotion


nothing. really, aside from the fact that i once again failed to post the radio show, there's really nothing to report.

well, if you want to consider it follow-up, there have been minor protest incidents in the form of groups of ten or fewer banging on pots and pans on my corner, which is funny mostly because they're so much quieter than the idiots who honk in emphatically almost every day [but especially on weekends] because they evidently believe that car horns can unblock traffic jams.

radio show this week. seriously.

kitteh of the week


simon is normally a super-model, but we can't all look our best all the time...


thanks very much for reading!

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dj kali & mr. dna @ casa del popolo post-punk night

last night was a blast! a big thank you to dj tyg for letting us guest star on her monthly night, because we had a great time. my set was a little more reminiscent of the sets that i used to do at katacombes [i.e., less prone to strange meanderings than what you normally hear at the caustic lounge]. i actually invited someone to the night with the promise "don't worry, it'll be normal". which also gives you an idea of what to expect at the caustic lounge. behold my marketing genius.

mr. dna started off putting the "punk" into the night [which i think technically means i was responsible for the post, which doesn't sound quite so exciting]. i'd say that he definitely had the edge in the bouncy energy department.

many thanks to those who stopped in throughout the night to share in the tunes, the booze and the remarkably tasty nachos and a special thank you to the ska boss who stuck it out until the end of the night and gave our weary bones a ride home…

it continues... [part one]

so we're back at it with the democratic debates. last night saw cnn take their first crack at presenting ten candidates on one stage after msnbc led the charge last month. a lot of people were critical of the first debate because it seemed there were moments when moderators got such tunnel vision about keeping things moving that they stopped thinking about what was happening on stage. [the prime example being kamala harris having to insist that she be allowed to speak on the issue of racism, being the only person of colour on stage.] the other problem that many identified was that the time given to candidates wasn't even close to equal. i feel like cnn wasn't a lot better with the former, although they avoided any serious gaffes, and that they did an excellent job of fixing the latter. [that said, some of the outlying candidates might be wishing they hadn't had as much time as they did.] as with last time, i'll start off with a few general observations.

how importa…

making faces :: fall for all, part 2 [a seasonal colour analysis experiment]

well, installment one was the easy part: coming up with autumn looks for the autumn seasons. now we move into seasonal colour types that aren't as well-aligned with the typical autumn palette. first up, we deal with the winter seasons: dark, true and bright.

in colour analysis, each "parent" season- spring, summer, autumn, winter- overlap with each other season in one colour dimension- hue [warm/ cool], value [light/ dark] and chroma [saturated/ muted]. autumn is warm, dark and muted [relatively speaking], whereas winter is cool, dark and saturated. so you can see that the points of crossover in palettes, the places where you can emphasize autumn's attributes, is in the darker shades.

it's unsurprising that as fall transitions into winter, you get the darkest shades of all. we've seen the warmer equivalent in the dark autumn look from last time, so from there, as with all neutral seasons, we move from the warmer to the cooler cognate...