Skip to main content

film & photography

this is a little space i've created to call attention to visual arts projects i've done and am doing. like what you see? please feel free to email me.

conversion :: people look at me funny when i tell them that dom and i made a movie. i think a lot of them believe i'm telling them that we made a sex tape and are probably wondering why i want to share that information, but that's not it at all. i mean that we made a goddamned movie. technology being what it is, it's become much easier for amateurs to enter the world of film-making without looking like amateurs. so yes, with the help of a lot of friends and kindly strangers, but no funding whatsoever, we made a feature film.

you can stream or download it here and watch it in the privacy of your own home.

you can read about the process of making the film [including my shooting diary] on this blog.

here's the trailer:



short films :: after shooting conversion and watching dom create his own short pieces like magic [you can see his page on vimeo here], i decided to give it a try myself. i'm not terribly prolific with this, but it is something i turn to when trying to write proves too frustrating. there is something about being able to watch something come together that appeals to me when i get frustrated with just see words unravel before me. you can always see all of them on the official more like space vimeo page, or you can watch them from the safety of the blog:

a sense of longing [oblivious]
coming storm
guilty guilty guilty
they were dancers in their dreams


photography :: i'm also an extremely amateur photographer and sometimes do blog posts of shots i take. i'll update the links below as more posts are added.

in search of halloween, part 6
in search of halloween, part 5
in search of halloween, part 4
in search of halloween, part 3
in search of halloween, part 2
in search of halloween, part 1

resting places [graveyard photography]
resting places 2

the montreal metro project, part 1 
the montreal metro project, part 2
the montreal metro project, part 3
the montreal metro project, part 4 
the montreal metro project, part 5
the montreal metro project, part 6
the montreal metro project, part 7 
the montreal metro project, part 8


Comments

as long as you're here, why not read more?

i'm definitely someone altogether different

about a hundred years ago, i remember having a partner who told me that, rather than writing the sort of ambiance-oriented crap [he didn't say crap, i'm saying it] that i was naturally driven to write, i should just compose something like the harry potter books. this wasn't out of any sense of challenging me to do new things but because of the desperate hope that my love of writing could be parlayed into something profitable.

my reaction at the time was "i just can't". and that was honestly how i felt because i didn't believe that that kind of story was in me. for the record, i still don't think that anything like the potter-hogwarts universe is in me. i'm not a fan of fantasy literature generally speaking and i feel like there's a richer experience to be examined in looking at our experience as regular humans being part of the rational, limited, everyday world and at the same time being able to feel connected to something that, for lack of a…

making faces :: a lip for all seasons [winter edition]

it seems oddly canadian to have two posts in a row about winter/ cold/ snow, but they're obviously unrelated. after all, for most people winter is a season, but in colour analysis terms, winter is part of what you are, an effect of the different wavelengths that comprise the physical part of the thing known as "you". this might be getting a little heady for a post about lipstick. moving on...

if you've perused the other entries in this series without finding something that really spoke to you [figuratively- lipsticks shouldn't actually speak to you- get help], you may belong in one of the winter seasons. winter, like summer, is cool in tone; like spring, it is saturated; like autumn, it is dark. that combination of elements creates a colour palette [or three] that reads as very "strong" to most. and on people who aren't part of the winter group, such a palette would look severe. the point of finding a palette that reads "correctly" on you…

making faces :: best [bright winter] face forward

a few years ago, i wrote quite a bit about sci/art colour analysis. i haven't followed up on it more recently because there's only so much a girl can say about three-dimensional colour and what the "hallmarks" of each loose category are without getting super repetitive. i am planning on updating a few of the posts that i made, particularly the "lip for all seasons" posts [springsummer, autumn, winter], as those are out of date and not so useful. the posts on colour analysis continue to be very popular despite being years old, so i figure it's worth following up.

during my journey of colour self-discovery, i determined that i was probably a bright winter, which means i look best in colours that are highly saturated first of all [and sharply contrasting second of all], and which lean cooler and darker. not for me the soft smoky eyes and muted lips, nor the bubbly, light-as-air pastels. as i proved to myself wearing different looks, trying to embrace th…