my post did, however, spawn a couple of discussions about how exactly one should go about making such a list, given that music [or film, or books, or virtually any sort of cultural artefact] is something on which people hold both very strong and very subjective opinions. were there criteria that could make one list better than the others? was it even possible to come close to objectivity? is there even a point to coming up with one of these lists? so, rather than make my own list [which i do in my head all the time anyway], i thought i'd put years of music fandom and article-writing to use and write the more like space guide to creating 'all time best' lists.
my first piece of advice is simple: don't.
seriously, unless you're some sort of masochist who gets thrills from seeing your carefully composed work shredded by dozens of people or more, just avoid coming up with all-time bests. yes, it's tempting, because we always reflect on the things that influenced us, or enlightened us, or whose importance we feel should be recognised. but no one in the world is going to have our same list and anyone who knows enough about the subject to appreciate what you've done is going to be even more pissed off that your list doesn't match theirs. you can't win at this game. no one can win. so your best option is not to play.
but if you're determined, here's what i'd recommend, based on what i've seen both in terms of articles and the reactions to them.
1. know what you're talking about. the single greatest criticism that gets leveled at these lists is that the author doesn't know enough about the subject to credibly write about it. yes, everyone's knowledge has limits, but if you're writing about a genre of music that you've fallen in love with in the last year, unless you've dedicated some serious time to becoming an expert, chances are that you're going to have a lot of holes in your list. now, that's not to say that you can't work around that, but we'll talk more about that later.
2. talk about the 'why', not the 'what'. i think one of the reasons why these lists get trashed so quickly is that a lot of people who write them are content to offer just a quick description of what an item on the list is, not why it's being included. if you're going to talk about 'bests' or 'essentials', you should have a reason why something appears on your list. psycho appears on lists of greatest horror films not because everyone loves it so much [although most of them do], but because of things like its hyper-dramatic score, its gritty realism, its incredible editing [a whole scene in a shower, that shows all the horror, but none of the nudity] and its shock tactic of having the central character killed off quite early. people can watch or listen to excerpts of virtually anything online, so they don't need someone rattling off what its elements are. they need to know why it deserves to be considered 'the best', or some other superlative.
3. focus. you rarely hear griping about year-end best-ofs, not because people agree with them anymore, but because their bounded by a strict time limit. maybe your list would be different, but the list is more of a snapshot than something that claims to be a summation of years of everyone's work. this is especially true if points #1 and #2 seem like more work than you want to put in on a list few people will ever read. let yourself off easy and come up with a list that's about a very specific category of things. doing a best-of list of punk albums from the early 80s, or american power electronics acts is going to be less demanding than trying to come up with a comprehensive list of all the best releases in either category. on the other hand, if you really want to do a big, comprehensive list, refer to point #1.
4. it's ok to be subjective. if point #1 is a problem, but you still want to create a list of essentials, there is absolutely nothing wrong with making up a list of things that were influential on you and the development of your tastes, as long as you're not pretending that it's anything else. talk about the effect that an album had on you, how it changed your taste or your perspective. even if people don't agree with your choices, chances are they've experienced the sentiment and all of a sudden, what they're reading is more welcoming and inclusive. don't make enemies where you can make friends.
5. be the list you want to see in the world. this one's pretty straightforward, but create something that you'd be interested in reading. chances are that the things that annoy you about these sorts of articles are the same ones that annoy everyone else who reads them. but the reason that we keep reading them is because we are legitimately curious about what others who share our freakish tastes think.
so there it is, my debate-proof, eternal list of things that make a good list. if you disagree, it is because you are wrong.
the picture above is a page of the domesday book, specifically dealing with warwickshire. not the most entertaining book of lists, but definitely one that belongs on a list of important lists.