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making faces :: guerlain's new dream girl

guerlain, you need to stop doing this to me. you know i adore your lipsticks [well, pretty much everything about you, really], but there will come a time when i'm going to have to say "no more". not yet, of course. but sometime. eventually.

i think that part of the problem right now is that bold, saturated colours i love seem to be having a moment, which means that even the more conservative brands are introducing these sorts of shades to their lineups or featuring limited edition products that almost literally call my name. [<-- i="" note="" said="" that="">almost
literally", because if you hear the lipsticks singing to you, it's time to check yourself in somewhere safe.]
in guerlain's case, there's been a series of breathtaking limited shades lately, but now they've been joined by some great new permanent additions. all were released earlier this summer and i've already raved about "rose grénat", which came home first since it was limited. today, i'm raving about "gladys", which was the second of the new shades to follow me home. its official description is "vibrant fuchsia", which is pretty accurate. i'd say that it's deeper than what i'd normally refer to as "vibrant" [although that's a personal thing]. it's a berry-tinged fuchsia, meaning that it has a healthy amount of red in it, so it's warmer than a lot of other shades described as fuchsia.

"gladys" is a heavy-hitter when it comes to colour, even by guerlain standards. the rouge g formula almost always has fantastic colour payoff, but this one is exceptional. it is intensely, intensely pigmented even with one pass and lasts for hours. you'll probably have to reapply after eating, but even after a fairly oily meal, i had a healthy stain left. about the only things i can think of that compares to "gladys" in terms of colour payoff and lasting power are "madame batfole" and "gigolo". deeper shades tend to last better, but these just put almost all competitors to shame.

the other thing that stands out about "gladys"- and which is typical of rouge g's- is the faint micro-shimmer that helps lips look smoother and plumper, as well as give the colour a nice dimensional look. swatches on the hand don't do this lady justice, so let's just look at the effect she has on the lips, shall we?

gladys
gladys
now, whether or not you want to dish out the cash for "gladys" will likely be determined by how much you wear shades like this [me = a lot]. there are similar colours out there and guerlain themselves have come out with a few. "madame batifole" is similar, but pinker and lighter. they're actually more different than they appear in my swatch, but still definitely in the same ballpark. bite "crimson" is darker, redder and more matte, but again, not tremendously far off. both of those shades are limited, however, so if you've missed out on those, "gladys" is an excellent option.

l to r :: guerlain madame batifole [l.e.], gladys, bite crimson [l.e.]
with a colour this vibrant, there's little reason to do much else with your makeup, which is one of the reasons that i love them so. nothing is going to outdo your lips [and nothing should compete!], so it's pretty easy to throw on a few neutral products and go. [i've talked about the ease of bright lips before.] here's an example of how i've been wearing it. this looks fairly complicated, but was quite quick, since all the shadows are in the same palette. that said, you could get away with a simple wash of a single colour.




products used

the base
ysl touche teint éclat "beige 10"
nars radiant creamy concealer "vanilla"
mac paint pot "painterly"
mac prep and prime finishing powder "translucent"

the eyes [all shadows from the "naked 3" palette]
urban decay e/s "buzz" [all over moveable lid]
urban decay e/s "nooner [in the crease]
urban decay e/s "strange" [highlight]
urban decay e/s "dust" [patted on centre of lids to brighten]
urban decay e/s "blackheart" [outer v]
urban decay e/l "rockstar" [lightly along the upper lash lines]
ysl effect faux cils mascara "noir radical"

the cheeks
armani blush "509/ eccentrico"

the lips
guerlain rouge g lipstick "gladys"

if this looks like the kind of colour you'd like, i can't recommend it enough. there isn't a single flaw i can find with it. i've already been giving it an inordinate amount of love. [i try to spread out the lipstick love, but sometimes i just develop favourites. i can't help it.] it's a great vibrant colour for summer and it'll be amazing with the deeper tones that are more comfortable in the fall. and then it will look amazing when you're invited to parties over the holidays. a worthy investment indeed.

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making faces :: fall for all, part 2 [a seasonal colour analysis experiment]

well, installment one was the easy part: coming up with autumn looks for the autumn seasons. now we move into seasonal colour types that aren't as well-aligned with the typical autumn palette. first up, we deal with the winter seasons: dark, true and bright.

in colour analysis, each "parent" season- spring, summer, autumn, winter- overlap with each other season in one colour dimension- hue [warm/ cool], value [light/ dark] and chroma [saturated/ muted]. autumn is warm, dark and muted [relatively speaking], whereas winter is cool, dark and saturated. so you can see that the points of crossover in palettes, the places where you can emphasize autumn's attributes, is in the darker shades.

it's unsurprising that as fall transitions into winter, you get the darkest shades of all. we've seen the warmer equivalent in the dark autumn look from last time, so from there, as with all neutral seasons, we move from the warmer to the cooler cognate...


it continues... [part one]

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how importa…

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i chose a few favourites to share, but i highly encourage you, if you like what you see, to pre-order the book he's publishing with all the drawings. [you can also get 11x17 prints of individual images.]

autism spectrum disorder

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