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the right angles

i guess every girl eventually wants to write letters to the stars of her favourite television show.

dear mitt,

i hate to shatter your illusion that you're the aristocratic, above-the-fray president-in-waiting, but you need to know that your awkwardness is so pronounced that i feel awkward just watching you. the overwhelming tension that's evident when you smile makes me think you're being shot full of electrodes, or that you're about to fire me, neither of which is a good look for you.

we really don't care about your tax returns, but the fact that you squirm and stammer every time you talk about them makes us all wonder what it is you're trying to hide. and the fact is, i don't really think you're hiding everything. you say that you're proud of the success you've had, but your actions tell a different story. your reticence to throw a public light on your finances tells me that you're deeply uncomfortable revealing that you are a rich guy doing rich guy stuff with his money.






dear ron,

that moment in the debate where the crowd had to holler at john king to remind him to let you answer a question was kind of priceless. i notice cnn hasn't been running that one ad nauseum. in fact, it very much suited the outsider-ness of your entire campaign and i don't think that was lost on you.

some polls are indicating that you would be one of the party's strongest candidates versus barack obama, only a hair behind mitt romney and perennial front-runner "generic republican". i don't see you getting the nomination, but i love watching the general discomfort you cause for your party and the media.







dear newt,

whatever you're doing right now, you should take a break to send john king a great big gift basket filled with fine liquers, belgian chocolates and aged cheeses. by asking you that admittedly ill-timed question about your ex-wife and the open marriage ultimatum, he gave you a moment so powerful you could have blown your nose on your lapel, scratched your junk like there was an infection and napped for the final thirty minutes of the debate and everyone still would have said you were the winner.

i will never count you out of this race, because i know that you are the jason vorhees of the republican party. you can't be killed because you're more bogey than man. no matter how final your demise, you can just keep coming back when people think they're safe. you're probably the party's best bet, now that i think of it.





dear santorum,

i've recently realised that you bear a startling resemblance to a former boss of mine, a real leader in the asshat community. i thought maybe that was why i'd developed such an instinctive dislike of you and then i remembered that you're the one who stuck up for s.o.p.a. at the debate and who wants to ban contraception. and that you were selected as one of the most corrupt politicians in washington by an organisation that, despite what you say, targets democrats as well as republicans.

that said, i realise that i've underestimated you all along and what's repulsive to me plays very well with a certain group within your party. your performances at the debates have gotten consistently stronger, reaching their peak on thursday when your final speech. you were overshadowed by your conservative competitor and i think that, ultimately, he's going to get the better of you, but it's evident that you're going to go down swinging. and not in the gingrich way.

Comments

Anonymous said…
this blog is very cool to read in retrospect!
Kate MacDonald said…
i honestly miss the whole republican race. when they were fighting each other, i didn't have to worry about consequences so much. consequences like one of them having the keys to the nuclear corvette.

as long as you're here, why not read more?

dj kali & mr. dna @ casa del popolo post-punk night

last night was a blast! a big thank you to dj tyg for letting us guest star on her monthly night, because we had a great time. my set was a little more reminiscent of the sets that i used to do at katacombes [i.e., less prone to strange meanderings than what you normally hear at the caustic lounge]. i actually invited someone to the night with the promise "don't worry, it'll be normal". which also gives you an idea of what to expect at the caustic lounge. behold my marketing genius.

mr. dna started off putting the "punk" into the night [which i think technically means i was responsible for the post, which doesn't sound quite so exciting]. i'd say that he definitely had the edge in the bouncy energy department.

many thanks to those who stopped in throughout the night to share in the tunes, the booze and the remarkably tasty nachos and a special thank you to the ska boss who stuck it out until the end of the night and gave our weary bones a ride home…

it continues... [part one]

so we're back at it with the democratic debates. last night saw cnn take their first crack at presenting ten candidates on one stage after msnbc led the charge last month. a lot of people were critical of the first debate because it seemed there were moments when moderators got such tunnel vision about keeping things moving that they stopped thinking about what was happening on stage. [the prime example being kamala harris having to insist that she be allowed to speak on the issue of racism, being the only person of colour on stage.] the other problem that many identified was that the time given to candidates wasn't even close to equal. i feel like cnn wasn't a lot better with the former, although they avoided any serious gaffes, and that they did an excellent job of fixing the latter. [that said, some of the outlying candidates might be wishing they hadn't had as much time as they did.] as with last time, i'll start off with a few general observations.

how importa…

making faces :: fall for all, part 2 [a seasonal colour analysis experiment]

well, installment one was the easy part: coming up with autumn looks for the autumn seasons. now we move into seasonal colour types that aren't as well-aligned with the typical autumn palette. first up, we deal with the winter seasons: dark, true and bright.

in colour analysis, each "parent" season- spring, summer, autumn, winter- overlap with each other season in one colour dimension- hue [warm/ cool], value [light/ dark] and chroma [saturated/ muted]. autumn is warm, dark and muted [relatively speaking], whereas winter is cool, dark and saturated. so you can see that the points of crossover in palettes, the places where you can emphasize autumn's attributes, is in the darker shades.

it's unsurprising that as fall transitions into winter, you get the darkest shades of all. we've seen the warmer equivalent in the dark autumn look from last time, so from there, as with all neutral seasons, we move from the warmer to the cooler cognate...