Skip to main content

earthly paradise


music review :: o paradis :: cuando el tiempo sopla :: punch records

i'm not sure why o paradis get lumped in with the whole "neo-folk" movement. other than the combination of acoustic instruments and electronics (which is cutting a pretty broad swath), and a tendency towards a "softer" tone, there isn't much to link them. really, o paradis is part of a much more interesting group of artists (including ait!, novy svet, mushroom's patience and a few others) who have established a new sort of sound with elements of traditional, cabaret/ lounge, and experimental music that is as geographically rooted in southern europe as pure noise is in japan, coldwave is in germany or power electronics is in england.

of this group of artists, o paradis stands out as the most lyrical and the most emotional. this isn't the sort of contrived melancholy one gets from many artists, at times raw and unflinching enough to be uncomfortable, but moving in its complete honesty.

"cuando.." is o paradis' most experimental album to date, with the production and atmospheric sounds taking a more prominent place than previously, but it still falls back on the same key element: sole proprietor demian is a superb songwriter. that's a greater accomplishment than you might think, since it's fairly easy to dress up mediocre songwriting with effects and trickery and, if you're reading this blog, chances are that not everything in your music collection relies on the fragile mix of melody and harmony.

the fact that there is a greater range of elements at play here makes this a more diverse work than previous albums and allows it to float effortlessly between the world of reality and the world of dream. (nowhere is this established more clearly than on the first track, where the blissful intro dissipates into a rhythmic morass of industrial noises and finally into the sound of an alarm clock.)

fans of this school of music will recognise the hyper-distinctive vocals of jurgen weber (novy svet) and tairy ceron (ait!) and there are contributions on vocals and instrumentation from a few others, but, at the end, this is a one man show- deeply personal, exquisitely executed and exuding romance in all senses of the word.

Comments

as long as you're here, why not read more?

jihadvertising?

i keep seeing this ad for tictac candies:



am i the only one who finds the suicide bomber clown at the end a little unnerving? all the nice natural things like the bunny and the [extinct] woolly mammoth and the fruit get devoured by a trying-to-appear-nonthreatening-but-obviously-psychotic clown who then blows himself up. congratulations, tictac, i think this ad has landed you on about a dozen watch lists.

oh and by the way, showing me that your product will somehow cause my stomach to explode in a rainbow of wtf makes me believe that doing consuming tictacs would be a worse dietary decision than the time i ate two raw eggs and a half a bottle of hot sauce on a dare.

mental health mondays :: pop quiz

those of you who are friends of mine on facebook [that might look a little weird to those of you seeing this post on facebook] may have seen my weekly "sunday quiz time", where i just ask random questions in the name of stimulating conversation. after doing that this week, i ended up taking a very wide variety of quizzes on mental floss, which made me a little smug about my knowledge of geography and a little rattled about my knowledge of the finer points of grammar. [i want to say, in my defense, that the one grammar quiz i found was really f**king hard. is that last sentence grammatically correct? i don't know. i have no confidence in my grammar anymore.]

i got so into answering questions about just about anything that i thought it might be fun to apply that format to mental health mondays. i've already done links to quizzes about various mental disorders and how to tell if you have them [i think it turned out i had all of them], but i wanted to do a special set of…

making faces :: hot stuff, comin' through

i don't even know what to say about the weather. the end of september saw temperatures at a scalding 36c/ 97f outside. this is especially annoying because we've had a moderate summer. most days it rained a little in the morning, the temperatures didn't creep into the 30s too often and there wasn't the normal stretch of a few weeks when it felt like we were living on the sun. now, we've receded into more normal fall weather, although it's still on the warm side for mid-october. that climate change thing is a bitch.

trying to think of something positive in the situation, it does put me in a perfect frame of mind to write about urban decay's naked heat palette. it's the latest in what appears to be an endless series of warm neutral and red eyeshadow palettes that have followed in the footsteps of anastasia's modern renaissance. [which i ultimately decided i didn't need after doing a thorough search of my considerable stash.] i do think that it'…