Skip to main content

better left unsaid?

walter benjamin wrote that before we had the capability to create copies en masse, that an original work of art maintained an aura because of its status as the unique and singular piece and that the ability to reproduce art and distribuute it eroded the status of the original.

i mention this because i went to see a book launch for canadian artist floria sigismondi and i'm convinced that you could develop a parallel theory about artists. sigismondi's work, even the pop music videos she's produced, has a dark and dusturbing quality to it, without being overt, that appeals to me. seeing her speak, however, seems to undermine this.

for starters, her speaking voice, both in tone and inflection, is almost a dead ringer for madonna's. it's a comparison i couldn't get out of my head the entire time i was listening to her. i kept thinking she was going to start plugging her new album...

secondly, her answers, while honest, are strikingly ordinary. which is probabaly the case with any artist, when asked about what inspires them or how they work. the fact is that there is probably no way of defining the mysterious quality that makes a piece of art appealing and anyone who attempts to do so is going to sound either a) pretentious or b) like they're talking about something that really isn't that special.

if i thought about it, i could probably produce a list of artists who are capable of speaking about their work while at the same time maintaining their aura of mystery, but they're few and far between.

i'm happy to go and see exhibitions by any number of artists, but i may think twice about hearing them speak about it. somehow, i'm happier thinking of people who produce this type of thing as being a little detached from the rest of us.


as long as you're here, why not read more?

making faces :: soft touch

ah winter, how my lips hate you. it's too bad, really, because the rest of me likes winter, down to about -12 or so. but there's no arguing that i get dried out. nuxe rĂªve de miel is my super best friend at this time of year, even more so than otherwise. [i gave bite's agave lip mask a try only to find out i'm allergic to something in it.] but our [still] new apartment is somewhat drier than the old one [electric vs hot water heating], which meant that, for a long stretch, virtually every kind of lipstick was uncomfortable. the horror. [i wrote a post a while back about the formulas that are friendliest to chapped lips.]

faced with this dilemma, i decided to try something not exactly new, but [for me], out of the ordinary: being a gloss girl. now, i don't mind glosses. i buy them from time to time, and i used to buy more until i discovered that i just wasn't using them near enough to justify the continued purchases. my issues with glosses are that they feather…


i keep seeing this ad for tictac candies:

am i the only one who finds the suicide bomber clown at the end a little unnerving? all the nice natural things like the bunny and the [extinct] woolly mammoth and the fruit get devoured by a trying-to-appear-nonthreatening-but-obviously-psychotic clown who then blows himself up. congratulations, tictac, i think this ad has landed you on about a dozen watch lists.

oh and by the way, showing me that your product will somehow cause my stomach to explode in a rainbow of wtf makes me believe that doing consuming tictacs would be a worse dietary decision than the time i ate two raw eggs and a half a bottle of hot sauce on a dare.

making faces :: a lip for all seasons [summer edition]

this may seem like an odd time to think about summer, but not to think about coolness. it can be hard to wrap your head around the idea that summer is considered "cool" in colour analysis terms and, in my opinion, reads as the coolest of the cool, because everything in it is touched with the same chilly grey. winter may have the coldest colours, but its palette is so vivid that it distracts the eye. everything in summer is fresh and misty, like the morning sky before the sun breaks through. in my original post on the season, i compared it to monet's paintings of waterlilies at his garden in giverny and, if i do say so, i think that's an apt characterisation.

finding lip colours touched with summer grey and blue is, as you might expect, kind of tricky. the cosmetic world seems obsessed with bringing warmth, which doesn't recognise that some complexions don't support it well. [also, different complexions support different kinds of warmth, but that's another…