Skip to main content

Most overlooked albums ever #2


Dive:: First Album (1992, Minus Habens)

Living in Toronto, I’ve been somewhat impressed at how local DJs will occasionally go out on a limb and pack the dance floor by playing a track from the Ant-Zen label, or, even more daring, from Hands. Wow. Before Ant-Zen, who would have imagined this kind of a sound- danceable rhythms with layers of harsh noise and guttural vocals over the top? Dirk Ivens, that’s who.

Ivens was part of the seminal electronic band The Klinik (who might also have a place on a list like this, under different circumstances) until their demise in 1988. He had always been the vocalist for the band rather than the musical component, so it might have come as a surprise for many that Dirk was the one who embarked first on a solo career. It might also have come as a surprise what shape that solo career took.

Instead of approximating the clean electro sounds of The Klinik, Dive (Ivens’ name for his new project) produced what was probably the harshest rhythmic music available anywhere. Although industrial dance music had found its footing, no one had ever done anything as raw as Dive. And for years, no one would.

Now, of course, the world is replete with rhythm and noise artists, none of whom feel the least inclination to look into where their music came from. In the utmost irony, The Klinik (without Dirk) saw fit to release their turgid new sounds on Hands, a label whose entire existence would never have come to be without Dive’s remarkable first album.

I have yet to hear any of the new-age noise releases that approach the bludgeoning intensity of this album, because, quite simply, they all have the benefit of a blueprint. Ivens didn’t. He was doing something for which no boundaries had been established. As a result, this album, released over a decade ago, sounds fresher than music in the same blueprint released within the last five years.

NB- I’ve referenced the version of First Album from Minus Habens, however, the true original album was released on Dirk Ivens’ own Body Records in 1990. The 1992 release featured bonus material not available on the original.

Comments

now that I think about it, one would say that Esplendor Geometrico might have had a strong hand in DIrk iVEns sound...
pelao said…
esplendor geometrico rule! and see how he lives happily ever after in big old china!

as long as you're here, why not read more?

jihadvertising?

i keep seeing this ad for tictac candies:



am i the only one who finds the suicide bomber clown at the end a little unnerving? all the nice natural things like the bunny and the [extinct] woolly mammoth and the fruit get devoured by a trying-to-appear-nonthreatening-but-obviously-psychotic clown who then blows himself up. congratulations, tictac, i think this ad has landed you on about a dozen watch lists.

oh and by the way, showing me that your product will somehow cause my stomach to explode in a rainbow of wtf makes me believe that doing consuming tictacs would be a worse dietary decision than the time i ate two raw eggs and a half a bottle of hot sauce on a dare.

making faces :: a lip for all seasons [summer edition]

this may seem like an odd time to think about summer, but not to think about coolness. it can be hard to wrap your head around the idea that summer is considered "cool" in colour analysis terms and, in my opinion, reads as the coolest of the cool, because everything in it is touched with the same chilly grey. winter may have the coldest colours, but its palette is so vivid that it distracts the eye. everything in summer is fresh and misty, like the morning sky before the sun breaks through. in my original post on the season, i compared it to monet's paintings of waterlilies at his garden in giverny and, if i do say so, i think that's an apt characterisation.

finding lip colours touched with summer grey and blue is, as you might expect, kind of tricky. the cosmetic world seems obsessed with bringing warmth, which doesn't recognise that some complexions don't support it well. [also, different complexions support different kinds of warmth, but that's another…

making faces :: chanel's velvet realm

who doesn't love velvet? i know when i was younger, i used to, as george costanza longed to, "drape myself in velvet" and although that phase passed with time, i still think that the plush fabric has to be one of the high points of human achievement, up there with interior heating, advanced medicine and vodka. so to me, it's no surprise that one of the most hotly anticipated launches in the cosmetic world is chanel's new "rouge allure velvet" lipstick line, because even the name immediately makes me want to put it on my lips.

on a more concrete level, chanel describes these lipsticks as "luminous matte", which is sort of like the holy grail for lipstick lovers. we all want those intense, come-hither film noir lips, the sort where young men and sunlight are lost and never heard from again, but historically [including during the making of those films], applying a matte lipstick felt sort of like colouring in your lips with an old crayon that had…